In the 1960s and 70s not only did potters flourish around the country but it seems that everyone's mum was producing mugs and bowls at night class. This phenomenon was part of a particualr philosophy of pottery - local materials and natural-looking forms, glazes and designs. All those small brown pots are now highly collectible and sought-after in op shops, second hand stores and, increasingly, at auction. Why did this style of pottery reach such heights in New Zealand? Who were the crafts people and what is the value of their... read more
Peter Stichbury has been a leading figure in the development of studio pottery in New Zealand. This publication aims to contextualise Stichbury
The Crown Lynn Story is an irresistible mix of business innovation, stunning products and vivd characters. In the late 1930s Tom Clark, barely in his early 20s, beagn making porcelain tiles and electrical fittings alongside his family's brick and pipe works in New Lynn. By 1970 Crown Lynn was the biggest pottery in the southern hemisphere, with 500 staff turning out 15 million pieces of china - cups and saucers, plates, bowls, mugs, jugs and vases - each year. Most New Zealand families used Crow Lynn dinner sets everyday, and exces... read more
Ant Morris is, and always has been, an artist. He's also a potter - a mud and water man, fascinated by colour and form. From the rough clay of Matakana, north of Auckland, Ant Morris and his then wife and business partner, Sue James, created one of this country's leading potteries. From terracotta flooring tiles to huge clay pots, a piece by Morris & James quickly became a status symbol in its own right, a superb and highly desirable piece of art - distinctive, stylish and utterly ours. Through the heady days of the 1980s, Morris &... read more
The pottery hand book provides a practical introduction to working with clay. It begins by looking at the different types of clay and gives advice on working with soft, reconstituted and leatherhard clays.